Known for her compelling abstractions that explore form, colour and surface, Katy Moran (b. 1975, Manchester) enlists a spectrum of mark-making in the expression of different atmospheres. While some of her paintings suggest traditional land or seascapes and conjure figurative associations, they are essentially records of the intangible and are deliberately engaged in sensation, as opposed to representation. Much of Moran’s inspiration comes from her transcendental meditation practice and ideas for paintings are incubated during these sessions. This connection with her unconscious allows for an intuitive approach that prioritises the autonomy of paint as medium. The incident of coincidence in dialogue with the artist’s hand guides the development of each of Moran’s paintings, which employ experimental methods in their facture, from drips and pours, to body painting. By allowing the nature of paint to inform the painting process, Moran is antithetically liberated from the bonds of materiality.