Born in London in 1985 and based in Brooklyn, Zoë Buckman’s multidisciplinary practice incorporates sculpture, textiles, ceramics, photography, and large-scale public installations. Adopting an explicitly feminist approach, her work explores identity, trauma, and gendered violence, subverting preconceived notions of vulnerability and strength.
Nomi is the artist’s first solo presentation in London and marks a powerful and timely homecoming. The exhibition presents a focused body of work that was born from grief and trauma. Over the past two years, Buckman has undertaken a difficult, complex and spiritual journey resulting in a tentative yet defiant proclamation of love and joy as an antidote to the darker side of life. From a real voyage in India, to a psychological journey with EMDR, an interactive psychotherapy technique, Buckman lays
herself vulnerable in new works which play with dualities of hard and soft, masculine and feminine, domestic and surreal.
“The limiting and confining conditions of 2020 triggered memories for me of the times I’ve been held back, literally or symbolically, by patriarchal forces. It put me further in touch with an internal source that exists inside us all: a well of freedom and joy where our wilder instincts originate. I see this force in the women who surround me, in the Divine Feminine, and within myself.”
Zoe Buckman, November 2020.
Buckman often plays with unexpected juxtapositions in her choice of presentation and source material. Incorporating vintage fabrics such as household linens, and in previous works lingerie and wedding dresses, Buckman teases out narrative from the previous life of the materials that inhabit a feminine and domestic sphere. Text is an integral part of her practice and Buckman’s snippets often bear witness to violence, aggression and grief. It is through elegant combinations employing natural forms and dancing figures, and an unashamedly beautiful presentation, that Buckman ensures hope and joy resonant throughout the show.
Her alter ego, Nomi, is expressed in works that reclaim the serpentine motif from negative patriarchal connotations. Her snakes are all powerful, skin shedding, weaving their way on the page between chakras and handwritten excerpts from her ongoing poem, Show Me Your Bruises Then. Her hanging sculptures created using boxing gloves unite associations of violence and masculinity with a kind of pristine, sweat and impact free femininity.
Zoë Buckman NOMI at Pippy Houldsworth Gallery 12th February 2021 – 13th March 2021 houldsworth.co.uk
NOMI has been curated in collaboration with art historian and broadcaster, Kate Bryan.
